Grīvabheda Abhinayadarpanam
Playlist 59: Abhinaya Darpana Shlokas
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The Grīvabhedas, as described in the Abhinaya Darpana are 4 in number.
These Grīvabhedas, or gestures of the neck are used primarily communicate meaning gesturally, and also used for specificity in Nritta.
Please refer to the Shloka below for pronunciation. Please note that the separate movements of the head when put together in a Shloka form 'Sandhis', or compound words in the Sanskrit language. Words like 'ca', 'thatha', mean "and", "also". The separate words for each movement are also given below the shloka.
Sundarī ća Tiraścīnā tathaiva Parivartitā
Prakampitā ća Bhavagne neiryagrīva ćaturvidha
Sundarī
Tiraścīnā
Parivartitā
Prakampitā
Up Next in Playlist 59: Abhinaya Darpana Shlokas
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Devata Hasta
Devata Hasta
The hand gestures that depict the various gods and goddesses according to the Abhinaya Darpana
अथात्र ब्रह्मरुद्रादिदेवताभिनयक्रमात्
मूर्तिभेदेन ये हस्तस्तेषां लक्षणमुच्यतेAthātra brahmarudradidevatabhinayakramāt
Mūrtibhedena yé hastasteśām lakśanmūćyatéDeity Right Hand Left H...
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Daśavatāra Hasta
Daśavatāra Hasta
The Abhinaya Darpana Hastas for the ten incarnations of VishnuAvatar: Right Hand / Left Hand
1. Matsya: Ardhaćandra (shoulder level) / Ardhaćandra (shoulder level)
2. Kūrma: Mrugasirśa (shoulder level) / Mrugasirśa (shoulder level)
3. Varaha: Mrugasirśa (waist level) / Mrugasi... -
Sthānaka Bheda
Th Sthanaka Bheda in the Abhinaya Darpana are quite varied from those that we call Sthanakas in the Natyaśaśtra. Be sure not to be confused with one another.
samapaadanća eka paadam naagabandhasthatha param
aindreća garudasćaiva brahmastanamithi kramam1. Samapāda – standing with both feet ali...
