Janghā bheda Shloka
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The shins/ shanks are considered one of the Upāngas, or minor limbs according to the Nātyaśāstra
The movements are used not only for the precise control in the execution of Nritta but also to communicate meaning in the context of gesture.
Please refer to the Shloka below for pronunciation. Please note that the separate movements of the head when put together in a Shloka form 'Sandhis', or compound words in the Sanskrit language. Words like 'ca', 'thatha', mean "and", "also". The separate words for each movement are also given below the shloka.
Āvartitam natam ksiptamudvāhitamathāpi vā
parivrttam tathā caiva janghākarmāni pañcadhā
Āvartitā
Natā
Ksiptā
Udvāhitā
Parivrttā
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Pārśni bheda Shloka
The heels are considered one of the Upāngas, or minor limbs
The movements are used not only for the precise control in the execution of Nritta but also to communicate meaning in the context of gesture.
Please refer to the Shloka below for pronunciation. Please note that the separate movements ...
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Gulphā bheda Shloka
The Ankle is considered one of the Upāngas, or minor limbs according to the Sangīta Ratnākara.
The movements of the ankle are important in pure dance and in emotive contexts.
Please refer to the Shloka below for pronunciation. Please note that the separate movements of the head when put togethe...
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Thala bheda Shloka
The soles of the feet are considered one of the Upāngas, or minor limbs.
The movements are used not only for the precise control in the execution of Nritta but also to communicate meaning in the context of gesture.
Please refer to the Shloka below for pronunciation. Please note that the separat...
