GET 38% OFF YOUR FIRST YEAR!

Limited time - use promo code: APP2025 at checkout

The Raadha Kalpa Method

Live stream preview

Watch this video and more on The Raadha Kalpa Method

Watch this video and more on The Raadha Kalpa Method

Subscribe

Already subscribed? Sign in

Tillana: Raga Vallachi

Playlist 36 • 9m 20s

Tillana
Raga : Vallachi
Adi Tala
Composer: Dwaraki Krishnaswamy
Choreography: Guru Narmada, (reinterpreted by Rukmini Vijayakumar)

A Tillana is usually the last piece in the performance of a Margam. Adapted from the Tarana, of Hindustani music, the Tillana reflects the joy of finally reaching the abode of joy and fulfilment that a Margam is meant to lead both performer and viewer.

Up Next in Playlist 36

  • Vandeham Sharadam
    06:38
    Vandeham Sharadam

    Vandeham Sharadam

    Vandeham Sharadam

    Raga: Yamuna Kalyani
    Mishra Chapu
    Composer: Swami Dayananda Saraswati
    Choreography: Rukmini Vijayakumar
    Language: Sanskrit

    It describes Goddess Saraswati, the embodiment of knowledge, speaking of how the knowledge of the self is revealed to those who have clarity of thought, a...

  • Vandeham Sharadam: Part 2
    13:08
    Vandeham Sharadam: Part 2

    Vandeham Sharadam: Part 2

    Vandeham Sharadam

    Raga: Yamuna Kalyani
    Mishra Chapu
    Composer: Swami Dayananda Saraswati
    Choreography: Rukmini Vijayakumar
    Language: Sanskrit

    It describes Goddess Saraswati, the embodiment of knowledge, speaking of how the knowledge of the self is revealed to those who have clarity of thought, a...

  • Expression Series 5: Āngika Abhinaya
    08:26
    Expression Series 5: Āngika Abhinaya

    Expression Series 5: Āngika Abhinaya

    The four means or tools of expression and communication that we use on stage are , Āngika, Vāchika, Āharya and Sātvika Abhinayas. These lectures will delve into each of these and explain them in detail.

×