Playlist 26
This playlist continues with the Tillana while introducing variations in the second set of Adavus. Please revisit earlier strength/flexibility videos frequently while you progress with the repertoire. The alignment series is important to include while developing awareness of alignment and the technique in all the newer variations of adavus.
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Pushpanjali
Pushpanjali
Raaga: Aarabhi
Aditala
Composer: Dr Balamuralikrishna
Choreography: Rukmini VijayakumarThe Pushpanjali is choreographed with many rhythmic layers. You will have an appending document that you can download to understand the Rhythm clearly.
There is an added verse from the Ganesha P...
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Jatiswaram: Raga Rasikapriya
The second piece that is traditionally presented in a Margam is a Jatiswaram. A Jatiswaram is named as such because it is a combination of a Jathis and Swarams. It begins with a Jathi typically followed by the Pallavi, Anupallai and Charanams, to which multiple Korwes are choreographed.
This pa...
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Tillana: Raga Vallachi
Tillana
Raga : Vallachi
Adi Tala
Composer: Dwaraki Krishnaswamy
Choreography: Guru Narmada, (reinterpreted by Rukmini Vijayakumar)A Tillana is usually the last piece in the performance of a Margam. Adapted from the Tarana, of Hindustani music, the Tillana reflects the joy of finally reaching th...
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Tillana Aradi
Tillana
Raga : Vallachi
Adi Tala
Composer: Dwaraki Krishnaswamy
Choreography: Guru Narmada, (reinterpreted by Rukmini Vijayakumar)A Tillana is usually the last piece in the performance of a Margam. Adapted from the Tarana, of Hindustani music, the Tillana reflects the joy of finally reaching th...
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Tillana: 2nd Korwe
Tillana
Raga : Vallachi
Adi Tala
Composer: Dwaraki Krishnaswamy
Choreography: Guru Narmada, (reinterpreted by Rukmini Vijayakumar)A Tillana is usually the last piece in the performance of a Margam. Adapted from the Tarana, of Hindustani music, the Tillana reflects the joy of finally reaching th...
