Playlist 25
As the playlists progress, learning to coordinate and incorporated the isolations that are learned through the bhedas in the practise of adavus is important. The Adavu variations enable these varied approaches to torso, and limbs to create dynamic variations in the Adavus.
The choreography of the Tillana in Raga Vallachi is also introduced in this, alongside short videos that exemplify the mechanics of turning.
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Jatiswaram: Raga Rasikapriya
The second piece that is traditionally presented in a Margam is a Jatiswaram. A Jatiswaram is named as such because it is a combination of a Jathis and Swarams. It begins with a Jathi typically followed by the Pallavi, Anupallai and Charanams, to which multiple Korwes are choreographed.
This pa...
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Tillana: 1st Korwe
Tillana
Raga : Vallachi
Adi Tala
Composer: Dwaraki Krishnaswamy
Choreography: Guru Narmada, (reinterpreted by Rukmini Vijayakumar)A Tillana is usually the last piece in the performance of a Margam. Adapted from the Tarana, of Hindustani music, the Tillana reflects the joy of finally reaching th...
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Tillana: Raga Vallachi
Tillana
Raga : Vallachi
Adi Tala
Composer: Dwaraki Krishnaswamy
Choreography: Guru Narmada, (reinterpreted by Rukmini Vijayakumar)A Tillana is usually the last piece in the performance of a Margam. Adapted from the Tarana, of Hindustani music, the Tillana reflects the joy of finally reaching th...
