Katī bheda Shloka
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The hips are considered one of the Angas, or major limbs according to the Natyashastra.
The movements of the hips and waist are used not only for the precise control in the execution of Nritta but also to communicate meaning in the context of gesture.
Please refer to the Shloka below for pronunciation. Please note that the separate movements of the head when put together in a Shloka form 'Sandhis', or compound words in the Sanskrit language. Words like 'ca', 'thatha', mean "and", "also". The separate words for each movement are also given below the shloka.
Chinnā caiva nivrttā ca recitā kampitā tathā
Udvāhitāceti Katī nātye nrtte ca pañcadhā
Chinnā
Nivrttā
Recitā
Kampitā
Udvāhitā
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Ūru bheda Shloka
The thighs are considered one of the Upāngas, or minor limbs according to the Natyashastra.
The movements of the thighs are used not only for the precise control in the execution of Nritta but also to communicate meaning in the context of gesture.
Please refer to the Shloka below for pronunciat...
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Janghā bheda Shloka
The shins/ shanks are considered one of the Upāngas, or minor limbs according to the Nātyaśāstra
The movements are used not only for the precise control in the execution of Nritta but also to communicate meaning in the context of gesture.
Please refer to the Shloka below for pronunciation. Plea...
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Jānu bheda Shloka
Jānu bheda according to the Sangīta Ratnākara, is an Upānga. The knees are considered one of the minor limbs.
The movements of the knees are used not only for the precise control in the execution of Nritta but also to communicate meaning in the context of gesture. Some of the positions elucidate...
