Jatiswaram: Part 3
Playlist 21
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11m
Raga : Rasikapriya
Adi Tala
Composer : Lalgudi G Jayaraman
The Jatiswaram will be taught in parts with detailing on rhythm and alignment.
A Jatiswaram is traditionally performed after an Alaripu or Pushpanjali in a BHaratanatyam performance, a combination of Jatis and Swaras, it is a piece that explores rhythm and musicality at once, challenging the physical prowess of the dancer and warming up the audience to receive content that is more layered thereafter. A purely Nritta piece, the Jatiswaram is melodic and rhythmic.
The rhythmic sequences that are layered on the Swaras of the Jatiswaram, are called Korwes. You must all be familiar with Korwes after practising the many Korwes these past months. Watch the Tala video, in the theory section, on counting when dancing to help you through the jatiswaram.
Up Next in Playlist 21
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Talam: Lecture 9, Gati
Gati's are used to bring rhythmic variation within the structure of a talam, by changing the number of syllables per beat.
Gati variations are used in many compositions and are important to understand before learning choreography.
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Shiro bheda Shloka
The head is considered one of the Angas, or major limbs according to the Natyashastra.
The movements of the head are used not only for the precise control in the execution of Nritta but also to communicate meaning in the context of gesture.
Please refer to the Shloka below for pronunciation. ...
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Pārśva Bheda Shloka
The side, Parshva is considered one of the Angas, or major limbs according to the Natyashastra.
The movements of the side are used not only for the precise control in the execution of Nritta but also to communicate meaning in the context of gesture.
Please refer to the Shloka below for pronun...
