Natyashastra & Abhinaya Darpana

Natyashastra & Abhinaya Darpana

2 Seasons

The Hastas, Bhedas & Sthanas will be dealt with in this series. The Natyashastra will be used as the primary reference point, but a few examples from the Abhinaya Darpana will also be given.

All the shlokas from the Natyashastra and Sangita Ratnakara are taught in the lineage of Dr Padma Subramanyam and are a product of her research.

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Natyashastra & Abhinaya Darpana
  • Bāhu bheda Introduction

    Episode 25

    The arms considered one of the Upāngas, or minor limbs, has many movement possibilities enumerated in the Natyasāstra.

    The movements are used primarily to communicate meaning in the context of gesture and also clear articulation in dance or nritta.

  • Bāhu bheda Shloka

    Episode 26

    The arms considered one of the Upāngas, or minor limbs.

    The movements are used primarily to communicate meaning in the context of gesture and also clear articulation in dance or nritta.

    Please refer to the Shloka below for pronunciation. Please note that the separate movements of the head when...

  • Ćarañāguli bheda Introduction

    Episode 27

    The toes are considered one of the Upāngas, or minor limbs.

    The movements are used primarily to communicate meaning in the context of gesture.

  • Ćarañāguli bheda Shloka

    Episode 29

    The toes are considered one of the Upāngas, or minor limbs.

    The movements are used primarily to communicate meaning in the context of gesture.

    Please refer to the Shloka below for pronunciation. Please note that the separate movements of the head when put together in a Shloka form 'Sandhis', or...

  • Driśti bheda Introduction

    Episode 33

    The eye movements are considered one of the Mukhaja, or gestures of the face according to the Nātyasāstra.

    The movements are used primarily to communicate meaning in the context of gesture.

  • Driśti bheda Shloka

    Episode 34

    The eye movements are considered one of the Mukhaja, or gestures of the face according to the Nātyasāstra.

    The movements are used primarily to communicate meaning in the context of gesture.

    Please refer to the Shloka below for pronunciation. Please note that the separate movements of the head w...

  • Grīva bheda Introduction

    Episode 36

    The neck movements are considered one of the Mukhaja, or gestures of the face according to the Nātyasāstra.

    The movements are used primarily to communicate meaning in the context of gesture.

  • Grīva bheda Shloka

    Episode 36

    The neck movements are considered one of the Mukhaja, or gestures of the face according to the Nātyasāstra.

    The movements are used primarily to communicate meaning in the context of gesture.

    Please refer to the Shloka below for pronunciation. Please note that the separate movements of the neck ...

  • Bru bheda Introduction

    Episode 32

    The eyebrows are considered one of the Mukhaja, or gestures of the face according to the Nātyasāstra.

    The movements are used primarily to communicate meaning in the context of gesture.

  • Bru bheda Shloka

    Episode 35

    The eyebrow movements are considered one of the Mukhaja, or gestures of the face according to the Nātyasāstra.

    The movements are used primarily to communicate meaning in the context of gesture.

    Please refer to the Shloka below for pronunciation. Please note that the separate movements of the he...

  • Hastakaranas Introduction

    Episode 38

    The movements of the wrists and fingers according to the Nātyasāstra.

  • Hastakarana Shloka

    Episode 40

    The movements of the wrists and fingers according to the Nātyasāstra.

    apaveśtithameka syāth udveśtithamathaparam
    vyāvartitam tritīyantu ćaturtham parivartitam

    apaveśtitham
    udveśtitham
    vyāvartitam
    parivartitam

  • Feet Positions and movements

    Episode 42

    These feet positions are a collection from various texts to help us better understand the karanās in the Nātyasāstra.

    (These are taught according to the Bharatanritya school, as researched by Dr Padma Subrahmanyam)

    samam
    parśvam
    trayśram
    anćitam
    kuñćitam
    agratalasanćāram
    sūći
    svastikam
    udghatti...

  • Sthānakās Introduction

    Episode 29

    Though the Sthānakās, or static positions for male and female characters are not limited to be used only by a specific gender, they are the building blocks for Karanas.

  • Purusha Sthāna

    Episode 31

    Though the Sthānakās, or static positions for male and female characters are not limited to be used only by a specific gender, they are the building blocks for Karanas.

    There are 6 Sthanakas for male characters.

    Vaiśnavam samapādam ća vaiśakham mandalam tathā
    pratyālīdam matālīdam sthanān yethā...

  • Strī Sthānas

    Episode 30

    Though the Sthānakās, or static positions for male and female characters are not limited to be used only by a specific gender, they are the building blocks for Karanas.

    Āyatam avahittam aśvakrāntamatāpi ća
    Strīnām sthānāni kāryāni gatiśvabharaneśu ća

    Āyatam
    avahittam
    aśvakrāntam